The top men of Wrong With Authority (James, Kit, and Daniel) consider the classic Spielberg/Lucas/Ford Reagan-era pastiche/adventurefest which introduced the iconic, failure-prone, whip-wielding, treasure-hunting, snake-hating, Nazi-slaughtering, ambivalent-about-Arabs, and possibly-guilty-of-statutary-rape Dr Indiana Jones, rollicking around in a universe in which all myths seem to be simultaneously true. Close your eyes and let the wrath of Yahweh engulf your enemies as you enter the Podcast of Souls... And I'm bored now. But you won't be if you listen to this episode.
Daniel the barefoot American must battle a team of evil eurotrash inside a gigantic phallic symbol. Don'tcha just hate it when that happens?
Time to listen to us get medieval on Braveheart's ass.
CREAG AN TUIRE!!!!
Kit, Daniel, and Jack get fired from their cushy academic jobs and have to try to make it in the private sector with a bold new business concept, but end up having a spot of bother with the EPA.
Wrong With Authority returns, with a James-hosted episode about Scorsese's Gangs of New York (2002). This is a good one.
Daniel and Jack do a commentary on original Blade Runner (1982) and then chat a bit about the recent sequel.
Show notes: Main Topic: Blade Runner. With Jack Graham and Daniel Harper. Introductions and the obligatory Trump reference. Our histories with the film. Commentary begins at 10:23. Distinctive logo. Ridley Scott: complete bastard. Odd names. Daniel makes an Asimov reference. The plusses and minuses of opening crawls. Industrial sublime. Skipping the Voight-Kampf. Not the brightest Nexus-6, not the brightest Blade Runner. Dick joke. William Gibson. Japanification. 80s special effects. Racial slur. Noir voiceover. The Six Deadly Words. Tortured fan. Non-developed characters. Replicant personalities. Chemistry. A no-Deckard Blade Runner. Novel vs film and ethical philosophy vs cardboard characterization. Visually influential. Retro-futurism. Kipple. Freezing. Delicate Rutger. Frank Lloyd Wright? Impenetrable apartment. "These must be people!" Leaning into cliches. Daryl Hannah. Pris and JF. Deckard's photos. Huge in university. Tick-tick-tick-tick-tick. Ethnic stereotypes. Phone booths and phone calls. Implied sex show. Biblical metaphor. An actual detective. Diana Cassidy's performance. Streetwear. Outmatched in combat. Quiet. Used future in Our World. Jupiter orbit. Fashion choices. Gaff. Limp-wristed slap. Booze and relationships. Ford's star power turned on low. Assault. Reverse Mirror. Broken biology. Another more interesting story. Human images. Oversignified chess. Owls. Tyrell the CEO. Father fucker. Science is real. Gore. Bradbury. Pointless sequences. Ineffective police. Clever Pris. Shoe leather. Worse ways to die. Life force leaving the body. Twenty-three minutes of climax. Why is Deckard doing this? Psychopathic Roy. Human or boogeyman? Growth at the end. Leonine. Sky. Watch him die. Is Gaff a replicant? What are the stakes? Critical. Broken aesthetics. Happy endings. Wrapping Up, and moving on to 2049 at 2:07:50. Some ambition. Clever Force Awakens. Describing the plot. Evil Blind Genius Things. Relations between replicants and holograms. Interrupted by a dog. Narrative. Joi/K/Mariette love scene. Sexualized subservient images. Heuristic. Open relationship problems. Iron Man moment. Bond villain Jared Leto. Old Deckard. Lived history. Off-topic onto JJ Abrams. Underwhelming. A second Asimov reference. Wrapping Up.